If you haven’t read Part I – it’s not necessary. This focuses on general themes.
What I love about this album is its transcendence. On the surface, the obvious meaning is Beyoncé making lemonade with the lemons that Jay-Z gave her when he cheated on her. But this can represent so many other things – controversies and conflicts that are referenced throughout both the visual and auditory albums.
For one thing, on “Sandcastles,” Beyoncé is transcending herself. She sings “Every promise don’t work out that way,” referencing the ultimatum she had always set down that if he cheats she is gone. And then James Blake, in his chillingly angelic voice, sings – “Forward.” The lyrics of this songs make it sound, for one, that Beyoncé is suggesting an open relationship of some sort between her and Jay-Z, recognizing that the bond they have is greater than most, that the strength and multidimensionality of their connection is not worth throwing away over some becky. At the same time, these lyrics suggest a moving forward for America, an opening of minds to unity – an American identity.
I’ve heard people reference “white culture,” and I guess this is meant as mainstream America, but, honestly, I’ve always felt lost in this country because I can’t see a culture I identify with. My ancestry is mostly Jewish and Irish, but we’ve all been in this country so long that if I tried to join a Yiddish community in New York I’d feel interested, but certainly not at home, and while I might look Irish with my red hair and pale skin, I have no idea what kind of Irish communities exist in the U.S., and I’m not sure I care enough to find out. If I think of white culture, images of preppy kids on golf courses and in country clubs or California surfers come to mind. I don’t fit in either of those scenarios, but even they have some diversity. I don’t know what white culture is, but I don’t want to. What I want is American culture. And I want it to be more than what it is right now. And I think that can only come if we embrace each other, start being generous with our traditions and beliefs and strengths, and come together.
bell hooks, in her critique of Lemonade, wrote that Beyoncé neglected to really call out the patriarchy – that change must be mutual. This goes for intimate relationships, for patriarchy and feminism, and for people of all races. Change must be mutual.
There’s a Gandhi quote that’s used so often it’s likely lost its meaning for many – “Be the change you wish to see in the world.” If you want a world of love, acceptance, kindness – you don’t have to wait. In Beyoncé’s visual album, a woman’s voice speaks these words: “So how we supposed to lead our children to the future? How do we lead them? Love.” Be love to everyone around you. People notice a positive example, even if you don’t get constant praise and recognition for it, you’ll know you’re doing the right thing, and, I promise, your actions will make a difference. Someone is always watching. Maybe not the world, but all progress begins on an individual level.
hooks also wrote that, while Beyoncé’s Lemonade focused primarily on the bitterness of the lemons, it’s actually a sweet, refreshing drink. We’ve all been through some shit, but true lemonade is made in “celebration of our moving beyond pain.”
So, Beyoncé, I love Lemonade for its celebration of black women and its transcendent messages. It’s a necessary work of art with words and images that the world need to see, to recognize its power, and to acknowledge and laud the strength of black women. Now – I know at least one white girl that can twerk (it’s me), and I’m sure some Asian and Native American and Mexican and racially ambiguous girls know how to get down to a beat, too, and I would love to see some racial inclusion in your future work – practicing your own message of moving forward. After all, we are American, and, more than anything, I want that to mean something. And I want it to be positive. AND I believe that’s possible.